My “Shareable Readymades” are an explicit comment on the way art’s economics interacts with cultural liberty.
The Mona Lisa Of Disapproval, 2012, SVG images.
The Mona Lisa disapproves.
CC Ironies, 2007, digital vector images.
Parodies of some of the excesses of free culture licensing and its critics.
Canto, 2007, digital vector images.
Pictures from the end of a relationship, created by remixing vector autotrace artefacts from an image by Tom Chance.
1969, 2004, digital vector images.
Remixed nuclear attack simulation diagrams.
1968, 2004, digital vector images.
Recoloured nuclear attack simulation diagrams.
San Jose, 2000, digital vector images.
Colours and forms from my first visit to Silicon Valley.
Smileys, 1997, digital bitmap images.
Relationships rendered in emoticons.
Inbetween Cities, 1995, digital vector images and digital bitmap images.
Looking out over the landscape as you travel through it at speed towards your destination…
Blobs, 1994, digital vector images.
The free play of forms increasingly inspired by love and desire. The imagery and colours draw on smileys/emoticons, on graphic design for popular music, and on confectionery wrappers.
Psychetecture, 1994, digital vector images.
They said everything was a text…
Mixes, 1993, digital images.
These would be called Mashups now. They sample and combine what was then considered to be canonical British contemporary art in order to create visual and conceptual relationships between, interrogating and critiquing them and making something new.