State Machines: The Quest For The One True Chain
Beg, Steal & Borrow
The story that I wrote for Dogecon 2018 has been published in the book “State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art”:
“The Quest For The One True Chain” was written to embody the themes of governance that Dogecon 2018 explored and to provide flavour for puzzles on one day of the event. To these ends it is organized in an epistolary style as a series of short segments that, apart from the first and last, are designed to be readable in any order. Each segment features a social, economic and technical failure and a cyberpunk literature trope.
It’s the second Doge-themed story I’ve written after “Bad Shibe”, they don’t share a setting though.
Artists Re:Thinking The Blockchain
“Beg, Steal & Borrow – Artists Against Originality”, Robert Shore, 2017, ISBN 9781780679464
Buy here –
Robert Shore’s excellent new book about artistic originality and appropriation art contains an installation image of my “Shareable Readymades” (models by Chris Webber & Bassam Kurdali, title by Charlotte Frost) at the 2016 show “Jerwood Encounters: Common Property”.
My lasting interest in art comes in no small part from endlessly re-reading a large Andy Warhol catalogue in art class at school. When I went to art school the indebtedness of art to its past and the creative potential of appropriation art and sampling made perfect sense to me. So “Beg, Steal & Borrow”‘s canon of art that follows Steve Job’s maxim about great artists is one I love and that I’m very pleased to see the Shareable Readymades in.
“Artists Re:thinking the Blockchain” Edited by Ruth Catlow, Marc Garret, Nathan Jones & Sam Skinner, 2017, ISBN 9780993248757.
Furtherfield and Torque have compiled an excellent range of writing and imagery about blockchain network technology’s role in the arts and vice versa. You can buy it here:
If you are in North America, Amazon UK will be cheaper for postage until the North American edition is out in February 2018 here:
I have two pieces in the book.
“Bad Shibe” is the story of a young person in a post-fiat-currency utopia suffering from their first pangs of doubt that they, and more generally the society that they live in, may not be as wonderful as they previously thought. It is accompanied by Lina Theodorou’s wonderful illustrations of a story that the narrator makes very difficult to illustrate.
“Blockchain Poetics” is an essay about what proponents and critics of cryptocurrency think it is about, the historical context of these views, and how they are expressed culturally and rhetorically. It discusses trust, hodling, anti-politics, the nature of truth, and the “doge” subculture that is a major feature of “Bad Shibe.
The book is a wonderful physical artefact and the writing presents a wide range of voices, see the LUP page for details.