Month: February 2008

Help CC Fisk Sun’s DReaM

Is it possible to design non-defective DRM? – Creative Commons If not and admittedly, we suspect this is the case, all the more reason to hasten the abandonment of DRM and the hindrance it poses to innovation, and to embrace

Why I Didn’t Like American McGee’s Alice

Scene: A restaurant, interior, night. A man sits at a table, holding a menu. A waiter approaches. Man: Ah, waiter. I’m ready to order. I’ll have the pate for starter, steak (rare, please) and fries with a side salad for

Beyond Irony

– Primary Sources on Copyright 1450-1900 Copyright statement You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the

NonCommercial Sharealike Is Not Copyleft

Creative Commons (CC) Attribution-ShareAlike-NonCommercial (BY-NC-SA, NC-SA for short) is not copyleft. This may seem counterintuitive. After all, ShareAlike is copyleft isn’t it? Well, no it isn’t. Copyleft is, as its name implies, a reversal of copyright. It restores and protects

Ben: Line Drawing

I think that AARON’s basic line drawing algorithm is probably the one described in Harold Cohen’s essay “On Purpose”, or at least a descendant of it. I’ve implemented a version of this algorithm to use for Ben. It needs tuning

Approved for Free Cultural Works – Creative Commons

Approved for Free Cultural Works – Creative Commons We've just added the seal you see at right to Creative Commons licenses that qualify as Free Culture Licenses according to the Definition of Free Cultural Works ” Attribution and Attribution-ShareAlike. Public

New R.E.M. Videos Under Free Software License

R.E.M. Releases New Videos Under Open Source License – ReadWriteWeb R.E.M. today released 11 videos for the first song from their forthcoming album, all in MP4 format in HD and under an open source license. “Supernatural Serious,” is the first


After reading the excellent “Paradigms of Artificial Intelligence Programming” by Peter Norvig, I’ve started on a toy re-implementation of Harold Cohen’s AARON. It’s based on AARON circa 1978, so it’s production-system and pixel based, but in Lisp rather than C.


Scene: A bank boardroom somewhere in the North of England. Eight bored-looking old men are sat around an oval table. A sharply-dressed young MBA walks in, opens his laptop, and connects it to the video projector currently throwing a silent

furtherfield review – Addressable Memory

furtherfield review – Addressable Memory Michael Takeo Magruder is portraying this landscape of digital memory with its own tools, producing portraits of its inhabitants with its own palettes. In Addressable Memory the first draft of history is allegorized as a